All tagged Ketchups

Ketchup with William Wittman

Producer and Engineer William Wittman was one of our early guests in 2017 with a two parter, Episodes #15 and #16, where he discussed making seminal records with Cindy Lauper, Joan Osborne, and The Outfield, his time coming up through NYC recording studios, and his work/prank relationship with our very own John Agnello. In this episode, I catch up with Bill about making records with his band Too Much Joy, drum mic techniques, the things we like about in the box mixing, and working at the famed Van Gelder studio in Englewood, NJ.

Ketchup with Russell Wedelich

In 2018 the H9000 Harmonizer®, Eventide’s flagship multi effects processor, won a TEC award for best signal processing hardware. We had the team behind the H9000’s design and development on the podcast in Episodes #66.1, #66.2 and #66.3 to talk about the process of designing, building, and testing the latest in Eventide’s revered line of harmonizers. Now we’re back to talk about what’s new at Eventide and the 2023 TEC award for best signal processing software awarded to their revolutionary equalizer plugin, SplitEQ. Russell Wedelich is the VP of development and director of signal processing at Eventide and had a heavy hand in writing the DSP code that went into the H9000. He’s also the lead DSP engineer responsible for the SplitEQ plugin and its patented technology. Russ and I got to chat about what went into developing SplitEQ, The new Eventide H90 Harmonizer® pedal, and the culture that makes Eventide so consistently innovative.

Ketchup with Greg Calbi

Mastering engineer extraordinaire Greg Calbi is a dear friend and was our guest on Gear Club Episode #2 way back in January of 2017. Over the last 50 years Greg has mastered a seemingly endless list of albums across every genera of music, and it’s almost a certainty he’s had a hand in the making of one of your favorite records. In this episode, Greg chats about Sterling Sound, moving from Manhattan to its new facility in Edgewater NJ, his workflow from converters to compressors to clients, and the unique changes, challenges, and expectations of modern mastering.